Home > Reading > Daily Reading – April 6, 2021

Isaiah 30:18–26 (Listen)

The Lord Will Be Gracious

18   Therefore the LORD waits to be gracious to you,
    and therefore he exalts himself to show mercy to you.
  For the LORD is a God of justice;
    blessed are all those who wait for him.

19 For a people shall dwell in Zion, in Jerusalem; you shall weep no more. He will surely be gracious to you at the sound of your cry. As soon as he hears it, he answers you. 20 And though the Lord give you the bread of adversity and the water of affliction, yet your Teacher will not hide himself anymore, but your eyes shall see your Teacher. 21 And your ears shall hear a word behind you, saying, “This is the way, walk in it,” when you turn to the right or when you turn to the left. 22 Then you will defile your carved idols overlaid with silver and your gold-plated metal images. You will scatter them as unclean things. You will say to them, “Be gone!”

23 And he will give rain for the seed with which you sow the ground, and bread, the produce of the ground, which will be rich and plenteous. In that day your livestock will graze in large pastures, 24 and the oxen and the donkeys that work the ground will eat seasoned fodder, which has been winnowed with shovel and fork. 25 And on every lofty mountain and every high hill there will be brooks running with water, in the day of the great slaughter, when the towers fall. 26 Moreover, the light of the moon will be as the light of the sun, and the light of the sun will be sevenfold, as the light of seven days, in the day when the LORD binds up the brokenness of his people, and heals the wounds inflicted by his blow.

Acts 2:36–47 (Listen)

36 Let all the house of Israel therefore know for certain that God has made him both Lord and Christ, this Jesus whom you crucified.”

37 Now when they heard this they were cut to the heart, and said to Peter and the rest of the apostles, “Brothers, what shall we do?” 38 And Peter said to them, “Repent and be baptized every one of you in the name of Jesus Christ for the forgiveness of your sins, and you will receive the gift of the Holy Spirit. 39 For the promise is for you and for your children and for all who are far off, everyone whom the Lord our God calls to himself.” 40 And with many other words he bore witness and continued to exhort them, saying, “Save yourselves from this crooked generation.” 41 So those who received his word were baptized, and there were added that day about three thousand souls.

The Fellowship of the Believers

42 And they devoted themselves to the apostles’ teaching and the fellowship, to the breaking of bread and the prayers. 43 And awe came upon every soul, and many wonders and signs were being done through the apostles. 44 And all who believed were together and had all things in common. 45 And they were selling their possessions and belongings and distributing the proceeds to all, as any had need. 46 And day by day, attending the temple together and breaking bread in their homes, they received their food with glad and generous hearts, 47 praising God and having favor with all the people. And the Lord added to their number day by day those who were being saved.

John 14:15–31 (Listen)

Jesus Promises the Holy Spirit

15 “If you love me, you will keep my commandments. 16 And I will ask the Father, and he will give you another Helper, to be with you forever, 17 even the Spirit of truth, whom the world cannot receive, because it neither sees him nor knows him. You know him, for he dwells with you and will be in you.

18 “I will not leave you as orphans; I will come to you. 19 Yet a little while and the world will see me no more, but you will see me. Because I live, you also will live. 20 In that day you will know that I am in my Father, and you in me, and I in you. 21 Whoever has my commandments and keeps them, he it is who loves me. And he who loves me will be loved by my Father, and I will love him and manifest myself to him.” 22 Judas (not Iscariot) said to him, “Lord, how is it that you will manifest yourself to us, and not to the world?” 23 Jesus answered him, “If anyone loves me, he will keep my word, and my Father will love him, and we will come to him and make our home with him. 24 Whoever does not love me does not keep my words. And the word that you hear is not mine but the Father’s who sent me.

25 “These things I have spoken to you while I am still with you. 26 But the Helper, the Holy Spirit, whom the Father will send in my name, he will teach you all things and bring to your remembrance all that I have said to you. 27 Peace I leave with you; my peace I give to you. Not as the world gives do I give to you. Let not your hearts be troubled, neither let them be afraid. 28 You heard me say to you, ‘I am going away, and I will come to you.’ If you loved me, you would have rejoiced, because I am going to the Father, for the Father is greater than I. 29 And now I have told you before it takes place, so that when it does take place you may believe. 30 I will no longer talk much with you, for the ruler of this world is coming. He has no claim on me, 31 but I do as the Father has commanded me, so that the world may know that I love the Father. Rise, let us go from here.

Morning Psalms

Psalm 98 (Listen)

Make a Joyful Noise to the Lord

A Psalm.

98:1   Oh sing to the LORD a new song,
    for he has done marvelous things!
  His right hand and his holy arm
    have worked salvation for him.
  The LORD has made known his salvation;
    he has revealed his righteousness in the sight of the nations.
  He has remembered his steadfast love and faithfulness
    to the house of Israel.
  All the ends of the earth have seen
    the salvation of our God.
  Make a joyful noise to the LORD, all the earth;
    break forth into joyous song and sing praises!
  Sing praises to the LORD with the lyre,
    with the lyre and the sound of melody!
  With trumpets and the sound of the horn
    make a joyful noise before the King, the LORD!
  Let the sea roar, and all that fills it;
    the world and those who dwell in it!
  Let the rivers clap their hands;
    let the hills sing for joy together
  before the LORD, for he comes
    to judge the earth.
  He will judge the world with righteousness,
    and the peoples with equity.

Psalm 146 (Listen)

Put Not Your Trust in Princes

146:1   Praise the LORD!
  Praise the LORD, O my soul!
  I will praise the LORD as long as I live;
    I will sing praises to my God while I have my being.
  Put not your trust in princes,
    in a son of man, in whom there is no salvation.
  When his breath departs, he returns to the earth;
    on that very day his plans perish.
  Blessed is he whose help is the God of Jacob,
    whose hope is in the LORD his God,
  who made heaven and earth,
    the sea, and all that is in them,
  who keeps faith forever;
    who executes justice for the oppressed,
    who gives food to the hungry.
  The LORD sets the prisoners free;
    the LORD opens the eyes of the blind.
  The LORD lifts up those who are bowed down;
    the LORD loves the righteous.
  The LORD watches over the sojourners;
    he upholds the widow and the fatherless,
    but the way of the wicked he brings to ruin.
10   The LORD will reign forever,
    your God, O Zion, to all generations.
  Praise the LORD!

Evening Psalms

Psalm 66 (Listen)

How Awesome Are Your Deeds

To the choirmaster. A Song. A Psalm.

66:1   Shout for joy to God, all the earth;
    sing the glory of his name;
    give to him glorious praise!
  Say to God, “How awesome are your deeds!
    So great is your power that your enemies come cringing to you.
  All the earth worships you
    and sings praises to you;
    they sing praises to your name.” Selah
  Come and see what God has done:
    he is awesome in his deeds toward the children of man.
  He turned the sea into dry land;
    they passed through the river on foot.
  There did we rejoice in him,
    who rules by his might forever,
  whose eyes keep watch on the nations—
    let not the rebellious exalt themselves. Selah
  Bless our God, O peoples;
    let the sound of his praise be heard,
  who has kept our soul among the living
    and has not let our feet slip.
10   For you, O God, have tested us;
    you have tried us as silver is tried.
11   You brought us into the net;
    you laid a crushing burden on our backs;
12   you let men ride over our heads;
    we went through fire and through water;
  yet you have brought us out to a place of abundance.
13   I will come into your house with burnt offerings;
    I will perform my vows to you,
14   that which my lips uttered
    and my mouth promised when I was in trouble.
15   I will offer to you burnt offerings of fattened animals,
    with the smoke of the sacrifice of rams;
  I will make an offering of bulls and goats. Selah
16   Come and hear, all you who fear God,
    and I will tell what he has done for my soul.
17   I cried to him with my mouth,
    and high praise was on my tongue.
18   If I had cherished iniquity in my heart,
    the Lord would not have listened.
19   But truly God has listened;
    he has attended to the voice of my prayer.
20   Blessed be God,
    because he has not rejected my prayer
    or removed his steadfast love from me!

Psalm 116 (Listen)

I Love the Lord

116:1   I love the LORD, because he has heard
    my voice and my pleas for mercy.
  Because he inclined his ear to me,
    therefore I will call on him as long as I live.
  The snares of death encompassed me;
    the pangs of Sheol laid hold on me;
    I suffered distress and anguish.
  Then I called on the name of the LORD:
    “O LORD, I pray, deliver my soul!”
  Gracious is the LORD, and righteous;
    our God is merciful.
  The LORD preserves the simple;
    when I was brought low, he saved me.
  Return, O my soul, to your rest;
    for the LORD has dealt bountifully with you.
  For you have delivered my soul from death,
    my eyes from tears,
    my feet from stumbling;
  I will walk before the LORD
    in the land of the living.
10   I believed, even when I spoke:
    “I am greatly afflicted”;
11   I said in my alarm,
    “All mankind are liars.”
12   What shall I render to the LORD
    for all his benefits to me?
13   I will lift up the cup of salvation
    and call on the name of the LORD,
14   I will pay my vows to the LORD
    in the presence of all his people.
15   Precious in the sight of the LORD
    is the death of his saints.
16   O LORD, I am your servant;
    I am your servant, the son of your maidservant.
    You have loosed my bonds.
17   I will offer to you the sacrifice of thanksgiving
    and call on the name of the LORD.
18   I will pay my vows to the LORD
    in the presence of all his people,
19   in the courts of the house of the LORD,
    in your midst, O Jerusalem.
  Praise the LORD!

Albrecht Dürer, Painter, 1528; Lucas Cranach the Elder, Painter, 1553; Matthias Grünewald, Painter, 1528; Michelangelo Buonarroti, Artist, 1564 (April 6)

About the Commemoration

Albrecht Dürer, a methodical explorer of the world and of humankind’s place in it, was born in Nuremberg, May 21, 1471, the son of a goldsmith. His artistic talent was recognized early, and at age sixteen he was apprenticed to a local painter. After three years he left his apprenticeship to travel in the Netherlands, Alsace, and Switzerland. By the end of May 1494, he was back in Nuremberg. On the seventh of July he married Agnes Frey; they had no children. In the autumn of 1494, Dürer went to Italy, and this visit, which lasted until the following spring, was a great influence on his work: Dürer was the first northern European artist to immerse himself in the art of the Italian Renaissance. Upon his return to Nuremberg in 1495, Dürer renewed his association with his boyhood friend Willibald Pirkheimer (1470-1530), the noted humanist. Like Leonardo, Dürer had an enormously inquisitive mind and was one of the most learned of Renaissance artists and the friend of many distinguished people of the time.

His painting style vacillated between Gothic and Italian Renaissance style until the end of the century when he moved toward the Renaissance spirit. In the fall of 1505 he made his second journey to Italy and spent most of his time in Venice. The visit lasted until the winter of 1507. He returned to Nuremberg in February 1507, and bought a house near the zoological garden. This “Dürer Haus” still stands.

For a time he worked for the Emperor Maxmillian I. In July 1520 he went to the Netherlands again. At the coronation of Charles V, the successor to Maxmillian, at Aachen, Dürer met Matthias Grünewald, who ranked second only to Dürer in German art of the time. In April 1521 Luther stood before the Diet at Worms, and the emperor Charles V had concluded that he would “proceed against him as a notorious heretic.” On the seventeenth of May, in Antwerp, Dürer heard the news. He wrote in his diary, “O Lord, you desire before you come to judgment that as your Son Jesus Christ had to die at the hands of the priests and rise from the dead and ascend to heaven, even so should your disciple Martin Luther be made conformable to him.” Not knowing of Luther’s refuge in the Wartburg, Dürer wrote again in his diary,

I know not whether he lives or is murdered, but in any case he has suffered for the Christian truth…. If we lose this man, who has written more clearly than any other in centuries, may God grant his spirit to another…. His books should be held in great honor, and not burned as the emperor commands, but rather the books of his enemies. O God, if Luther is dead, who will henceforth explain to us the gospel? What might he not have written for us in the next ten or twenty years?

Nonetheless, despite his admiration of Luther, it is uncertain to what degree Dürer supported the Reformation.

Dürer returned to Nuremberg July 12,1521. His health declined, and he spent his time writing letters, poems, and treatises on fortification. The Nuremberg city council adopted the Lutheran Reformation in March 1525; in 1526 Dürer gave the city council his painting Four Apostles, which includes quotations from Luther’s translation of the Bible. He died April 6, 1528, and was buried in the churchyard of the Johanneskirche in Nuremberg. Luther, learning of his death, wrote to Eoban Hesse, “Affection bids us mourn for one who was the best of men, yet you may well consider him happy that he has made so good an end, and that Christ has taken him from the midst of this time of trouble…. May he rest in peace with his fathers. Amen.”

Deeply religious in spirit, Dürer was affected by the apocalyptic spirit of the time in the face of famine, plague, and social and religious upheaval. His paintings and woodcuts are a close examination of the splendor of creation: the human body, animals, grasses, and flowers. He was, unfortunately, never able to fulfill his desire to paint Luther “as a lasting memorial to the Christian man who has helped me out of great anxiety.”

Dürer, who is listed on the German Lutheran Evangelical Calendar of Names (1962) is on the calendar in Evangelical Lutheran Worship and also the Lutheran Service Book; he was included, together with Michelangelo, on the calendar in the Lutheran Book of Worship.

Lucas Cranach the Elder (1472-1553), Dürer’s near-contemporary, whose work is lighter and more joyful than that of Dürer, was able to be the portraitist of the Reformers. He was on the most intimate terms with Luther. When Luther went into hiding in 1521, Cranach was among the very few with whom he kept in touch; when Luther married, Cranach was the sole lay witness; and Luther stood as godfather for Cranach’s daughter. Cranach the Elder was a prolific conveyor of the message of the Reformation and was highly regarded by the humanists of his day. A court painter, he was a student of nature, morals, and eroticism. An exhibit of his work at Basel in 1974 vindicated his reputation in the eyes of many critics. Beneath an apparent simplicity, there lies a serious and intense effort of the northern Renaissance, a search for balance between the spirit and the body, God and the flesh, good and evil, humanity and nature. Cranach is commemorated on the German Evangelical Calendar of Names on October 16.

The fascinating and enigmatic painter Matthias Grünewald was born, it seems, in Würzberg sometime between 1455 and 1480. The name by which he is known is a fabrication of a seventeenth-century biographer. His original surname was Gothardt, to which he sometimes added the surname of his wife, Neithardt. He spent most of his life in the upper Rhine area under the patronage of the Archbishop of Mainz and then of Albrecht of Brandenburg. Grünewald’s limited influence and renown is in contrast to those of Dürer, yet his works are highly valued. He was fascinated by the crucifixion as a subject for painting, and his greatest work, inspired by the mystical Revelations of Birgitta of Sweden (see July 23), is the Isenheim altarpiece with its combination of horror and mystical elevation. Grünewald died at Halle in August 1528, at the time secretly siding with the Reformation.

Michelangelo Buonarroti, the famed creator of gigantic sculpture was himself an awe-inspiring figure who was accorded, even in his lifetime, the high respect usually reserved for the great religious teachers.

Michelangelo was born March 6, 1475, at Caprese, a small town near Florence. He was of aristocratic stock, his father claiming descent from the counts of Canossa, but the family fortunes had declined. Overcoming family objections to his becoming an artist, Michelangelo at age thirteen was apprenticed briefly to Ghirlandaio, the most successful Florentine painter of the period, and then under the sculptor Bertoldo. The young artist attracted the attention of Lorenzo de Medici and lived for a time in his palace, meeting many artists and writers there. Before the expulsion of Piero de Medici in 1494, Michelangelo went to Venice and then Bologna and read Dante and Petrarch.

Michelangelo arrived in Rome in the summer of 1496 and there carved the Pieta now in St. Peter’s Basilica in which the Virgin Mother holds in her lap the dead body of her Son. The work is a marvelous feat of technical skill and shows the sculptor’s consummate mastery of his craft. Indeed, the story is that when admirers of the work doubted that it could be the work of a twenty-one-year old, he went back to the sculpture and inscribed in bold letters on the sash across the Virgin’s breast, “Michelangelo made it.”

In 1501 he returned to Florence to carry out commissions that expressed the pride, vigor, and idealism of the Medicis. The David is the great figure of power and magnificence from this period.

In March 1505 Michelangelo was again summoned to Rome to design the tomb of Pope Julius II. For eight months Michelangelo was at Carrara supervising the quarrying of huge blocks of marble for what was to be the greatest tomb in Christendom. He was inaccessible in that awe-inspiring landscape, surrounded by stone. He made such sojourns to Carrara several times in his life, and these times, like religious retreats, were preludes to spells of his greatest activity. When he returned to Rome in the winter of 1506-1507, he was refused immediate access to Pope Julius and in April 1506, returned to Florence. Seven months later he returned to Rome and the papal presence. He went to Bologna to make a bronze statue of the pope for the door of San Petronio there; then he went back to Florence but was recalled to Rome and was given the task of painting the ceiling of the papal chapel, called the Sistine Chapel. His prodigious frescoes were unveiled October 31, 1512, and illustrated the progression from servitude of the body (The Drunkenness of Noah) to the liberation of the soul (The Creation).

From this point on, Michelangelo’s mood became more grave and his confidence in physical beauty diminished. He became increasingly preoccupied with death. Leo X succeeded Julius, and Raphael became the favored artist. Michelangelo returned to Florence, which underwent a revolution in 1527, and he was put in charge of the fortifications of the city against the expelled Medici.

In 1534 Paul III called Michelangelo back to Rome to paint the Last Judgment in the Sistine Chapel, which he completed in 1541. He then turned his attention to designing the dome of St. Peter’s. He spent his last years with poetry, architecture, and drawing, writing in a sonnet that “only in darkness can men fully be.” He died in his eighty-ninth year.

Michelangelo believed that classical antiquity and Christianity could be served simultaneously by a devotion to the human figure, and the greatest accomplishment of this sculptor, architect, painter, poet, and draftsman was his exploration of the mystery of life locked in the human body, particularly apparent in his drawings of the nude male body in action. For him the human form was the expression of God’s purpose.

In commemoration of the five hundredth anniversary of his birth, a New York Times editorial said: “The art of Michelangelo was fueled by a largeness of soul and a frighteningly powerful belief—a terribilita—that would not be possible today. Grandeur is a term applied to the creative spirit on rare occasions, and the world is changed by it forever. So that great spirit and its transforming impact upon the world is celebrated” (March 6, 1975).
Excerpts from New Book of Festivals & Commemorations: A Proposed Common Calendar of Saints by Philip H. Pfatteicher, copyright, 2008 by Fortress Press, an imprint of Augsburg Fortress.

See also: Albrecht Dürer; Lucas Cranach the Elder; Matthias Grünewald; Michelangelo


From Thomas Traherne, Centuries

You never enjoy the world aright, till the Sea itself floweth in your veins, till you are clothed with the heavens, and crowned with the stars: and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and Kings in scepters, you never enjoy the world.

Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all Ages as with your walk and table: till you are intimately acquainted with that shady nothing out of which the world was made: till you love men so as to desire their happiness, with a thirst equal to the zeal of your own; till you delight in God for being good to all: you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house: Till you remember how lately you were made, and how wonderful it was when you came into it: and more rejoice in the palace of your glory, than if it had been made but to-day morning. Yet further, you never enjoy the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it, that you had rather suffer the flames of Hell than willingly be guilty of their error. There is so much blindness and ingratitude and damned folly in it. The world is a mirror of infinite beauty, yet no man sees it. It is a Temple of Majesty, yet no man regards it. It is a region of Light and Peace, did not men disquiet it. It is the Paradise of God. It is more to man since he is fallen than it was before. It is the place of Angels and the Gate of Heaven. When Jacob waked out of his dream, he said “God is here, and I wist it not. How dreadful is this place! This is none other than the House of God, and the Gate of Heaven.
Thomas Traherne, Centuries (1672), 1:29, 30, 31, introduction by John Farrar (New York: Harper & Bros., 1960), 14-15.

Michelangelo, “On the Brink of Death”

Now hath my life across a stormy sea
Like a frail bark reached that wide port where all
Are bidden, ere the final reckoning fall
Of good and evil for eternity.
Now know I well how that fond phantasy
Which made my soul the worshipper and thrall
Of earthly art, is vain; how criminal
Is that which all men seek unwillingly.
Those amorous thoughts which were so lightly dressed,
What are they when the double death is nigh?
The one I know for sure, the other dread.
Painting nor sculpture now can lull to rest
My soul that turns to His great love on high,
Whose arms to clasp us on the cross were spread.
Trans. J. A. Symonds.


We give thanks to you, O God, creator and fashioner of the universe, for the work of your servants Albrecht Dürer, Lucas Cranach, Matthias Grünewald, and Michelangelo; and we pray that by the vigor and strength of their creations you would open our eyes to the wonder of life, the glories of creation, and the exploration of our place in the world; through your Son Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and forever.

Readings: Isaiah 28:5-6; Psalm 96; Philippians 4:8-9; Matthew 13:44-52
Hymn of the Day:How marvelous God’s greatness” (LBW 515, ELW 830)
Prayers: For painters, sculptors, architects; For a renewed appreciation of beauty as an attribute of God; For joy in the natural world; For a receptive mind to explore the beauty of creation.
Preface: All Saints
Color: White


This daily prayer and Bible reading guide, Devoted to Prayer (based on Acts 2:42), was conceived and prepared by the Rev. Andrew S. Ames Fuller, director of communications for the North American Lutheran Church (NALC). After a challenging year in the midst of the COVID-19 pandemic, we have been provided with a unique opportunity to revitalize the ancient practice of daily prayer and Scripture reading in our homes. While the Reading the Word of God three-year lectionary provided a much-needed and refreshing calendar for our congregations to engage in Scripture reading, this calendar includes a missing component of daily devotion: prayer. This guide is to provide the average layperson and pastor with the simple tools for sorting through the busyness of their lives and reclaiming an act of daily discipleship with their Lord. The daily readings follow the Lutheran Book of Worship two-year daily lectionary, which reflect the church calendar closely. The commemorations are adapted from Philip H. Pfatteicher’s New Book of Festivals and Commemorations, a proposed common calendar of the saints that builds from the Lutheran Book of Worship, but includes saints from many of those churches in ecumenical conversation with the NALC. The introductory portion is adapted from Christ Church (Plano)’s Pray Daily. Our hope is that this calendar and guide will provide new life for congregations learning and re-learning to pray in the midst of a difficult and changing world.

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